Professional snowboarder Russell Winfield has had quite a life, filled with both sports and music. On this week’s podcast, he talks to us his early love for the Grateful Dead; how he discovered guitar playing on roadtrips with fellow snowboarders; some of the influential music moments he had growing up; and his new project, Shout the People.
Follow Shout the People here.
This episode is sponsored by Retrofret Vintage Guitars and Mono Cases.
"It wasn't like I was looking to make pedals my career, at all… it was just, 'I bet I can sell one to buy parts for this other one.'" –Robert Keeley, on his early work
On this week’s podcast, we talk to Robert Keeley of Keeley Electronics. When it comes to the world of effects pedals, Keeley is, quite simply, a legend. During our conversation, he recounts his early days flipping hi-fi gear he'd find at estate sales; explains why he never became an amp builder; outlines the importance of a great education for all of his employees; and walks us through the lifecycle of a pedal currently in development (the ECCOS delay/looper).
Whether you know Keeley for his old Tube Screamer mods or for his more recent, digital signal processing effects, you're bound to learn something during this hour-long chat.
This episode is sponsored by Retrofret Vintage Guitars and Mono Cases.
You may not know who singer-songwriter Odessa is, but chances are you’ve heard at least one of her songs. "I Will Be There," a tune found on her 2014 self-titled debut album, was used in a national car commercial and ended up being one of the most searched-for songs of the year. It also brought with it some of the headaches of the music industry: Managers, major labels… and expectations for another hit. "It was kind of a wild ride," Odessa tells us, looking back. "I'm still not exactly sure what happened."
On this week's Fretboard Journal Podcast, Odessa walks us through what transpires when a major label and an artist have differing views on success and how one recovers to stay true to their vision. We also talk about Odessa's a new, self-released Jonathan Wilson-produced album called All Things. It’s an album that we can’t recommend enough.
This episode is sponsored by Retrofret Vintage Guitars and Mono Cases.
For years, Nelson, British Columbia's Craig Korth could be seen at bluegrass festivals sharing a trio of exceptional (and extremely pricey) instruments - his 1923 Gibson F-5 mandolin, a 1937 Martin D-28 and a pre-war Gibson flathead 5-string banjo - with nearly anyone. But Craig is a lot more than just a laid-back instrument collector. On this week's podcast, he fills us in on his early love for bluegrass, how he accumulated a world-class array of instruments with a blue collar job (hint: a lot of hard work, hustling and trading up) and about the Nimble Fingers music camp he ran for many years.
We also talk about Craig's foray into lutherie, the lessons he took from archtop maker Bob Benedetto and how Craig is currently coping with focal hand dystonia. Whether or not you're a fan of bluegrass music, we think you'll love this episode and Craig's outlook on life.
Note: The first few minutes of our interview have some internet connection issues but it clears up very soon.
On this week’s Fretboard Journal Podcast, we’re talking to guitarist/instructor Jason Loughlin. Loughlin’s latest project is Sound on Sound, a rather unconventional TrueFire course dedicated to teaching the multi-track arranging of Les Paul. Over the course of the lesson, Loughlin walks students through a nine-guitar (!) arrangement of the jazz standard "After You’ve Gone." Though it sounds daunting, Loughlin is able to easily break down and demystify how recordings like this are made and reveal some of Les' favorite tone hacks, like emulating the sound of drums and bass via his six-string guitar.
We also talk to Loughlin about how to encapsulate those classic Les Paul sounds with modern gear, some of Loughlin's other loves – like early Sun Records recordings – and much more.
This week’s Fretboard Journal Podcast is sponsored by Mono and Retrofret Vintage Guitars. Don’t forget to also tune into the Truth About Vintage Amps podcast, which is about to celebrate its first birthday.
Sound on Sound with Jason Loughlin: https://truefire.com/les-paul-guitar-lessons/sound-on-sound/c1442
Erick Coleman is known to thousands online simply as "tonechaser." But Erick’s story goes way beyond his social media posts: Coleman is an experienced luthier, a still-touring musician and the Senior Technical Advisor for Stewart-MacDonald, where he constantly develops and tests new tools for the company. On this week's Fretboard Journal Podcast, we talk to Coleman about his beginnings working on instruments, how he balances his work week and how he’s amassed a rather huge guitar and amp collection. We also talk about common mistakes people make on their first guitar builds, plus a lot more.
Links:
Erick’s social feeds: Instagram / Facebook
Erick's band: The D-Rays
Stewart-MacDonald: https://www.stewmac.com
The instruments that luthier Eric Weigeshoff (Skytop Guitars) crafts are striking. For starters, his acoustic guitars don’t even have a traditional top soundhole. On this week’s podcast, we talk to Eric about how his guitar designs have evolved over the years, the challenges of being a solo luthier, his love for side soundports and some of the offbeat tonewoods he's employed.
Follow Eric and Skytop here.
In 1996, Jay Boone founded Emerald City Guitars out of a funky storefront in Seattle’s Pioneer Square neighborhood. These days, ECG may occupy the same address but it has evolved into one of the world’s great vintage guitar destinations, a place where Dumble amps, Blackguard Telecasters and ‘Bursts line the walls alongside more affordable electric and acoustic guitars and amps. On today’s Fretboard Journal Podcast, we talk to Jay about the growth of this family-run business; the sales trends he’s observed over the years; how a $400,000 'Burst gets sold; the vintage guitars he just can’t keep in-stock; plus a lot more. It’s a fascinating chat that covers a lot of ground: from vintage Gibson electrics to Martins, reverb.com and more.
This episode is sponsored by Retrofret Vintage Guitars and Mono Cases.
Once again, we're bringing back one of our favorite subjects to the Fretboard Journal Podcast. Andy Powers should need little introduction to longtime FJ followers: In less than a decade, he's gone from being a solo luthier working out of his dad's garage to being the face of Taylor's guitar development to (as of a couple weeks ago) becoming a co-owner / partner in the company. During this week's conversation, we talk about all of the above, learn about Andy's work habits and hear about some of the daily decision-making that goes on behind-the-scenes at Taylor.
Support the Fretboard Journal and our podcasts during our first-ever Subscription Drive: https://www.fretboardjournal.com/support
This episode is sponsored by Retrofret Vintage Guitars.
Support the Fretboard Journal and our podcasts during our first-ever Subscription Drive: https://www.fretboardjournal.com/support
TJ Thompson is one of the most respected names in the world of vintage Martin guitars, a repairperson who can seemingly fix the impossible. Though he flies under the radar with no advertising and little publicity (aside from his occasional appearances in the Fretboard Journal), he has no shortage of work from collectors, high-end dealers and touring musicians. Occasionally, he even burns the midnight oil building Martin-inspired guitars under his own name. (As of this writing, he’s built 87 guitars from scratch.)
TJ returns to the FJ podcast in a conversation that covers a lot of ground: his background (the '70s Martin D-35 with intonation issues that got him started in lutherie, his stints with Dana Bourgeois and Elderly Instruments); the inspiration that he finds from people and problem solving; and a few of the complicated guitar repairs he has recently tackled. Though there are plenty of guitar geek revelations, more than anything this is a chat about following your passion and finding mastery in your craft. Because of that, it’s one of our favorite episodes to date.
Note: TJ also appeared in the Fretboard Journal #26 and has been on Fretboard Journal Podcast episodes 55, 97, 122 and 123.
Links: TJ's Pro Luthier Tools Shop
The 1947 Martin D-18 with a crushed side referenced during this conversation: https://www.instagram.com/p/B1rVQQvHVvD/?utm_source=ig_web_copy_link
This episode is sponsored by Mono Cases and Retrofret Vintage Guitars.
Mark Stutman (Folkway Music) returns to the Fretboard Journal Podcast for a sprawling conversation that covers the magic (and variables) of '30s vintage Gibson flattop guitars, his advice for aspiring luthiers, the allure of old strings (and what new strings he likes for old Gibsons) and much more. Stutman is a true authority when it comes to old Gibson and Martin guitar repairs and his restoration insights ("the enemy of Good is often Better") are invaluable for vintage guitar collectors.
The Fretboard Journal has just launched its first ever subscription drive. If you haven’t joined us yet, now is a great time. We’ll be sharing all-new podcasts, videos and articles all month long: https://www.fretboardjournal.com/columns/support-the-fretboard-journal/
This episode is sponsored by Mono Cases and Retrofret Vintage Guitars.
This week, we have a lively chat with graphic designer extraordinaire Aaron Draplin. Though Aaron is best-known as a visual artist – everything from magazines to books to concert posters to a US postage stamp – music is at the core of his work and upbringing. During our call, Jason talks to him Aaron about his music influences, his love for design of all stripes, his trajectory as a guitarist and the music lessons he’s taking from fellow Portland resident Pete Krebs and much more.
The Fretboard Journal has just launched its first ever subscription drive. If you haven’t joined us yet, now is a great time. We’ll be sharing all-new podcasts, videos and articles all month long: https://www.fretboardjournal.com/columns/support-the-fretboard-journal/
This episode is sponsored by Roberto-Venn and Retrofret Vintage Guitars.
Singer-songwriter Joan Shelley talks to us about the making of Like the River Loves the Sea, her excellent 2019 full-length album. Shelley talks to us about the album's unlikely recording location (Iceland), her Collings guitar, her writing process and much more.
Like what we're up to? Please support us by joining the Fretboard Journal via a print or discounted digital subscription.
This episode is sponsored by Mono Cases.
Brent Mason is one of the most prolific and successful session guitarists of all time. He joins us on this week's Fretboard Journal Podcast to talk about the life of a Nashville session musician, his guitars of choice, what he brings to the studio and much more. It's a fascinating chat about one of the lesser-known aspects of the music industry.
Subscribe to the Fretboard Journal magazine via this link.
This episode is sponsored by Roberto-Venn, Gibson, Martin and Carter Vintage Guitars.
Richard Walter, curator for Phoenix, Arizona’s amazing Musical Instrument Museum, joins us on this week’s Fretboard Journal Podcast. We talk about his background, his role at the museum and, most importantly, about MIM’s current exhibit, The Electric Guitar: Inventing an American Icon. The exhibit, which closes on September 15, 2019, gathers a wide array of historic and legendary instruments, including Speedy West’s Bigsby (profiled in a recent Fretboard Journal) and guitars from Alvino Rey, Bo Diddley and Les Paul.
This episode is sponsored by Mono Cases with special thanks to FJ presenting sponsors Carter Vintage, Martin Guitars and Gibson.
Want to support the show? Get a discounted one-year digital subscription to our magazine for just $30.
Most guitarists have seen a StringBender installed on a Telecaster at some point. But on an acoustic? That’s a pretty wild concept. On this week’s podcast, we talk to two of the finest flatpicking guitarists around - Trey Hensley & Chris Luquette – about the StringBenders that will soon be installed as an upgrade option on Preston Thompson Guitars. These two Thompson artists talk about the feel of a StringBender-equipped dreadnought, describe how it changes their playing and much more. Midway through the call, we patch in the one-and-only Gene Parsons, the device's storied inventor. He tells us how the StringBender was developed (thanks to Clarence White's inspiration) and even lets us know about a rather historic Martin D-18 that now has a StringBender installed in it.
Want to know more? Check out our video with Try and Chris here:
Get a digital subscription to the Fretboard Journal magazine here:
https://shop.fretboardjournal.com/collections/downloads/products/fretboard-journal-digital-subscription-offer
This episode is sponsored by Roberto-Venn, Gibson, Carter Vintage and Martin guitars.
“Keep an open mind about [wood]. We’re not going to have these resources forever, especially if we’re not careful about them.” –Jayne Henderson
Jayne Henderson (EJ Henderson Guitars) joins us on this week’s podcast to talk about learning the craft of lutherie from her dad, Wayne Henderson. We also hear about her custom inlay work (and the thought process that goes into it); her affinity for sustainable woods (including oak); building a guitar for Doc Watson; ukuleles and much more.
Mentioned on the podcast: The Luthiers Apprentice blog, the Hampton Brothers cut Red spruce; John Arnold’s oak guitar.
This episode is sponsored by Mono Cases with special thanks to FJ presenting sponsors Carter Vintage, Martin Guitars and Gibson.
Want to support the show? Get a discounted one-year digital subscription to our magazine for just $30.
On this week’s Fretboard Journal Podcast, we sit down with Gibson CMO Cesar Gueikian. Cesar’s story is fascinating: Long before he began working for the legendary guitar company, he was a successful business person and self-professed Gibson fanatic. These days, he gets to combine his finance background with his love for all-things-Gibson and has been a big part of the new Gibson leadership. During the course of our candid chat, he walks us through the challenges Gibson faces, tells us about some of the new models he’s most excited for and much more.
This episode is brought to you by Mono Cases, Roberto-Venn, Carter Vintage, Martin Guitars and Gibson.
Order the new Fretboard Journal 44 by clicking here.
On this week's FJ Podcast, we talk to Paul Heumiller, founder of Dream Guitars. Dream Guitars is a highly-curated, online store featuring contemporary high-end, luthier-built acoustic guitars. At any time, they typically have over 100 new and pre-owned instruments from makers such as Wayne Henderson, James Olson, Leo Buendia and Jordan McConnell.
During this chat, Paul tells us about the current market for these instruments, explains what he thinks separates a great acoustic builder from the rest and much more.
This episode is brought to you by Mono Cases, Roberto-Venn, Carter Vintage, Martin Guitars and Gibson.
Order the new Fretboard Journal 44 by clicking here.
A bonus episode this week! The Fretboard Journal's Ryan Richter talks to dobro, lap steel and pedal steel composer and instrumentalist Mike Grigoni.
Ryan says, "In 2001, I had the good fortune of meeting Mike Grigoni on a Bainbridge Island beach. 'You gotta know this guy...' was the party line that day, and it was right on the money. Before departing Seattle, Mike and I collaborated on music, and though it never bore much tangible fruit, it was wildly informative for me. Mike's ample skill as a leader, accompanist, and composer was an invigorating force that's as much of an inspiration now as it was then. (When working on my own music, I often employ the 'what would Mike do here" postulate.')
Mike's musical journey has taken him from traditional Bluegrass to Ambient music, a swing that could be a mirror reaction to his shift in academic focus from Ethnomusicology to Ethnography, a subject on which he's currently writing his dissertation in Durham, North Carolina.
This week, we travel all the way to Nazareth, Pennsylvania to interview Fred Greene (Vice President of Product Management at Martin Guitars) and Tim Teel (Martin's Director of Instrument Design). The decisions these two individuals make have a huge impact on Martin's current (and future) guitar offerings. We chat about the behind-the-scenes process of making new Martin models, how Martin prepares for big unveilings like the NAMM Show, the influence guitar forums have on their output, the guitar-building community in general and much more.
This insightful chat is easily one of our favorite conversations about the guitar industry we've had to date.
This episode is brought to you by Carter Vintage, Martin Guitars and Gibson.
Order the new Fretboard Journal 44 by clicking here.
Bassist extraordinaire Tal Wilkenfeld joins us on the Fretboard Journal Podcast to talk about coming to the US to pursue music, opening for the Who and about the making of her new album, Love Remains. We also talk about her gear of choice, including her rather unique baritone guitar (built in part by Jackson Browne).
This episode is sponsored by Mono Cases.
Like what we're up to? Consider subscribing to the paper or digital edition of the Fretboard Journal.
Portland, Oregon-based singer-songwriter Jacob Miller joins on this week's Fretboard Journal Podcast. We talk about gear (including the lucky horse trading he did to get his cherished '40s Epiphone archtop), his debut album ('This New Home') and much more.
This episode is sponsored by Mono Cases.
http://www.jacobmillermusic.net
Mandolin great Andy Statman joins us on this week's Fretboard Journal Podcast to talk about his new album, 'Monroe Bus,' taking lessons from David Grisman, the influence of Bill Monroe, finding tone and much more.
Portions of this interview can be found on the Fretboard Journal's online piece on Statman here: https://www.fretboardjournal.com/features/interview-andy-statman-on-monroe-bus/
But Andy was so insightful during that conversation that we decided to run the whole talk as a podcast. We hope you enjoy it.
This episode is sponsored by Mono.
Legendary singer-songwriter Steve Earle joins us this week for one of the best conversations we've had in years. Over the course of this nearly hour-long chat, Earle talks to us about meeting and working alongside his hero, Guy Clark, how sobriety changed his playing and his ever-growing guitar collection (135+ instruments as of this recording). Earle also discusses overcoming his fear of Telecasters, his love for the guitars of James Trussart, his favorite amps, gambling tips and more.
Earle's Guy Clark tribute album, Guy, is out now. We can't recommend it enough.
This week's podcast is sponsored by Mono Cases. Check out all their case and pedalboard offerings at monocreators.com.
Don't forget to subscribe to the Fretboard Journal Podcast on iTunes and please leave us a review!